What Is Art?

Definition:

art1

/ärt/

noun

1. 1.

   the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

   "the art of the Renaissance"

   2.

   the various branches of creative activity, such as painting, music, literature, and dance.

   "the visual arts"

As I get older I realize that anything can be art, but I do believe you need three things for something to be considered art. First you need the creative, the person that created the art. Second, you need someone impacted by the art and lastly, the art itself. It’s that simple. I don’t believe that there needs to be an arbiter of whether it is art or not or if society at large needs to be involved at all.

A person doesn’t need to identify as an artist to create art. We all, as children, drew, painted or made crafts of some sort. We all have this inside of us. It is the choice, as we get older, to continue to create art or explore our artistic interests. I don’t believe you need a formal education or background to be considered an artist. Anyone and everyone can create art. It is all about the choice.

We don’t think about it enough but art is absolutely everywhere. The music we listen to, the billboards or posters we see, photographs and videos online, we are bombarded with art every moment of every day. Whether you consider it art is up to you. It is subjective. You get to make that choice. When you look at the definition above “..to be appreciated primarily for their beauty or emotional power.” This is the impact on you, the receiver. Have you ever felt goosebumps listening to a particular song? Has an image ever brought you to tears? Have you stood in a gallery looking at painting or sculpture for more than a few minutes because you just couldn’t walk away? This is the importance of art in all our lives. I enjoy the reflection of an emotion brought on by sound or sight. When you think about this, the receiver could be anyone, from a loved one cherishing a childs creation to the person at the Louvre gazing at the Mona Lisa. Either is just as important when defining whether something is art, as it is in that persons heart and mind as to how it is perceived.

When it comes to the art itself, it also can be absolutely anything that has been ctreated by anyone. A building, music, photography, a painting or even a piece of wood carved by hand. It can all be art. As I stated earlier, art is everywhere. It is whether we choose to see it or not that makes it art for us.

This brings me to the original question. What is art? You get to decide. It is a very personal thing. The next time you are at a gallery or wandering a new city with a group of people, pay attention to where people linger. Notice what they are looking at and ask how it is impacting them. Each person will have a different perspective or answer. Ask people about the music they listen to and ask if there is a reason. The clothes people choose, the people they follow online, it may be art for them. We each have our own perspective based on the sum total of our lives and experiences, each being unique. It is this uniqueness that can shape perception of art. We all have our definition and for me that is the definition of what is art!

Until Tomorrow,

John

Nostalgia

Over the last few years i’ve noticed a trend. I’m not sure if it spawned from the isolation of the COVID lockdowns or if it would have happened regardless. That trend is the seeking of nostalgia. What do I mean by this? Everything from baking bread, the resurgence of vinyl records and record players and most importantly, for me, film photography. Reaching into the past to find pastimes that have meaning for us. Following a recipe from scratch to done, learning how to work a turntable and place the needle on the record to create that unmistakable sound. Picking up a camera that has a winder, a physical shutter, loading 35mm film and waiting, sometimes a week, for the images.

All these things take time and effort and have a learning curve. They are also nostalgic, taking us back to a different time and place. A time when some of us were kids or your parents were kids.

nos·tal·gia

/nəˈstaljə/

noun

1. a sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.

I remember the first time I picked up a camera. It wasn’t what you would call a traditional camera. My 3rd grade teacher had us create a pinhole camera. We used the round Quaker Oatmeal box as it was light tight. We poked a tiny hole in it and created a slider to cover it. We mounted tin foil, inside the box, to reflect the light to the bottom of the box. In the dark we placed an undeveloped piece of photographic paper on the bottom of the box. We then sealed it. All we had to do was point it at something, keep it still, and slide the pinhole open. This exposed the paper to light. We then developed, using chemistry, the paper. I remember my awe at seeing the image appear on the paper. from a blank sheet to a photograph. Not only did I create the image, I created the camera. I was hooked for life.

Imagine my joy when I discovered that this medium was making a comeback. I dusted off my old cameras as well as my knowledge of the process. I dove in with both feet, finding creators online, magazines, YouTube chanels, places to develop my film and so much more. I had forgotten how much I loved the process of film photography. I love having a mechanical camera in my hands. I also love waiting for my images to return from the lab. It takes me back to a time that was filled with joy and discovery.

While I still shoot digital, I have rediscovered an old love in film photography. I am so excited that a new generation is rediscovering this part of photographic history. The images from yesteryear, prior to the late 90’s were all made on film or other, non digital, process. To understand that process helps us better understand the people that made those images.

So I will continue to soak up the nostalgia of my childhood, 20’s and 30’s and if you want I can share it with you as well.

Until Tomorrow!

John

The Beginning of Something Wonderful!

I’ve always loved writing. It is a very cathartic exercise. Putting down thoughts where you can see them. It always came naturally to me, that is when it was something I wanted to write about. I want to take that love further and make it something daily. I believe when you write, you are practicing several things. Cohesive thought being the first. Creating a cohesive thought takes energy and effort. Anyone can put words on paper or a screen, it’s when they make sense and convey a message that make it interesting. The second being expressing who you are. Everyone has a unique experience to share. Every perspective shaped by different events, people, places and even their inherent nature. The third as a chronicle, something to look back at or for others to remember you by. So much isn’t shared and passed on. So many things we want to say, but don’t.

I hope to accomplish the above by sharing my thoughts daily. Through this blog I will try to convey how my life experiences impact my art/photoraphy. Some days may include an image or series of images. Some days just a thought. No matter what I share, know that it is me, the true me. We all have something to share and I don’t want to look back and say what if, why didn’t I?

So I will finish this blog with an image. An image I took in Bodie, CA. I keep going back to this image. I made it my wallpaper for my display so that I can see it every day. It sings to me because it represents a time and place that brought me joy. I can relive this feeling every time I see this image. There are several elements to this image that I love. It’s black and white, no color to distract me from what is in the image. It was shot on film. I shot film for close to 30 years. The last being the location. I lived in Mammoth Lakes for several years. Bodie is approximately an hour north of Mammoth. The textures of the wood, the metal roof and the telephone pole all remind me of my time in that part of the world. This image may not be your favorite but know that with perspective you can undersand just how much it means to me. Art is subjective. Each individual has to determine if something is art for them. So what is art for you?

Bodie, CA Leica M6, TriX

Until Tomorrow!

John

Challenges

The last few weeks have been tough. For many years i’ve been putting off replacing my hip. Born with a defect, my hip had deteriorated to the point where the pain was intolerable. This is my second replacement, the first was almost 8 years ago. When you are recovering from something like this you always feel like it’s never ending. You have a hard time seeing the light at the end of the tunnel. I have progressed from needing help to get out of bed to using a walker and now a cane to move about. I know that i’m probably a week away from not having to use the cane and being totally self sufficient. But my mind plays tricks on me. There is always that nagging thought, what if it doesn’t get better? What if these limitations are permanent?

With some free time on my hands, and wanting a distraction, I started listening to podcasts. I came across the Martin Bailey Photography Podcast. He interviewed David duChemin. David is a “Photographer, Author, Creative Instigator” (Website). In the interview David discusses his decision to have his leg amputated. He talks about his recovery and challenges but most of all the positive impact on his photography. The issues he was dealing with was severely limiting his ability to enjoy, and take advantage of, his craft. This hit home. I do admit that what i’m dealing with isn’t at that level, but I understand his struggle. My photography has suffered over the last several years. The distances I could walk, the amount of gear I could carry, all limited by the pain I was feeling. I rely so much on my physical abilities for my passion.

The most important thing I took away from this interview was how positive David is. Moving forward from his decision can’t be easy. You could hear the strength in his words and voice. Talking about the fact that he’s not quite there yet but that he is committed to the process of getting there. It has motivated me to be more positive, to believe in my progress and know that there will be a positive outcome to my decision. I will be back on the trail, with my gear, making images soon!

Link Below!

Martin Bailey Photography Podcast

What A Year It's Been!

Every year I look back to see what i've accomplished.  Looking back at this year there was much sadness as well as much success.  My hope is that I will continue to advance and improve my craft each and every year and looking back helps me reach that goal.  When I look back at 2017 I see that my photography has improved and that I put myself in situations that were out of my comfort zone, which is a good thing.  No matter what the task, you need to push  your limits to learn.  We all learn to crawl, walk and ultimately run.  The path is full of bumps and bruises along the way and my photography is no different.  

My year began with a model shoot with Devi.  She is a very experienced model and made my work easy to accomplish.  This was my second shoot with her and my fifth model shoot overall.  People ask what I hope to accomplish by paying to have models pose for me.  First, it allows me to try things that I wouldn't normally be able to try.  Second, I was  able to pick the poses and take my time playing with the lighting.  I didn't feel rushed or beholden to anyone else.  I am my own client.  Personal dissapointment and being out some $ is the only downside.  

Devi, January 2017. Fuji XT1, 56mm f1.2 Lens, off camera flash in a soft-box with a black backdrop.

My son actually helped me with this image, unbeknownst to him.  I wanted to practice with the off camera flash system I was going to use and he helped out by being my subject.

My Son.  January 2017, Fuji XT1, 56mm f1.2 lens, off camera flash in a soft-box with a black backdrop.  

I then headed off to the Mendocino coast to Fort Bragg and the city of Mendocino.  This turned into an epic six and a half hour trip that should have taken me a couple of hours.  A nasty storm arrived just as I was starting my journey.  I found this grove of trees and they screamed to be photographed.

Fort Bragg, CA.  Fuji XT1, 18-55 lens.  

Your probably saying to yourself, why all black and white?  I've always loved the look of black and white and when it comes to my personal work this probably won't change any time soon.  My next adventure was a trip to a local park.  Taylor Mountain Regional Park has broad sweeping views of Sonoma County and I found a spot that sang to me.

Taylor Mountain Regional Park, Santa Rosa, CA.

Throughout the year I was lucky enough to have worked with some amazing people, providing them with portraits.

The middle of the year hit me like a brick.  My Father passed the end of July.  I had photographed his 80th birthday the year before and had one shot that I absolutely love.  I took that image and wrote a a blog post.  It was therapy for me.  Through this article I was able to process some of my feelings as well as some self reflection.  Petapixel picked up the article and published it on their home page.  This was a major accomplishment for me coming from one of the worst moments of my life.  The original post can be read by clicking the image below.

My Dad on his 80th Birthday!  

I then had a session with Diandra Godiva.  This was a fun shoot with a new model I discovered on Instagram.  The mechanics of photography take less thought for me than the content of the image.  I have been struggling to make what I consider to be amazing images.  As an artist I am never happy with my work and always looking at what I could have done different.  This shoot just worked.  It felt right to me.  I didn't struggle to find the image, they just seemed to happen.  Diandra was a pure joy to work with and I feel more confident than ever after our shoot.  Sure there are things that I would do differently but I have learned something.  Casey Neistat once said "Don't let perfection get in the way of good enough."  My whole life I have been using that as an excuse not to try.  Well I'm trying now and I will keep on trying because I have no other choice.  I am my photography and my photography is me and I will never apologize for that!

Diandra Godiva, Fuji XT1, 56mm f1.2 lens, natural light.

I ended the year with a trip to Lake Tahoe.  The Fall colors in full effect.  It was a quick trip but one that I will always remember.  I shared it with a lifelong friend, sharing stories, the good, bad and the ugly.  We hiked to a place I thought I'd never see again and he photographed me there.

Desolation Wilderness, Eagle Lake.  iPhone Panorama.

This is an epic journey we are all on.  I am choosing to do this with mine.  This is my passion, third in line after only my Wife and children.  So I hope you enjoy it with me and that you have something in your life that brings you as much joy as making images does for me.  

Delolation Wilderness, Eagle Lake Trail.  Fuji X100T.

See you in 2018!

My Gear!

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To date I haven't detailed out the gear I use on a regular basis.  It has been almost three years since my switch from Nikon to Fuji and I have no regrets.  The Fuji gear has actually strengthened my photography in many ways.  So below I list out what i'm using and why.  At the end of this post I will also talk about what I intend to buy in the not so distant future.  

Cameras

Fuji XT1

So this is my primary camera.  16.3 megapixels, 8 frames per second continuous shooting, more knobs, dials and programmable buttons than any other camera I have ever used.  The programmable features of this camera allow me to customize how I interact with the camera.  This allows me to configure it for any style of shooting and save up to 7 different user preferences.  

To say I love this camera would be an understatement.  People are probably tired of hearing my comparison to the Nikon FE2, my primary camera for over 30 some odd years.  The XT1 is the closest, in form factor, to that camera than any other camera I have used.  It just fits my style of shooting.  I have shot everything from landscapes, portraits, models and so much more with this camera.  It has never disappointed me.  

Fuji X100T

This camera is my everyday carry.  I never leave home without it.  Very similar to the XT1, the same sensor, menu and user configurable buttons.  The big difference is the fixed 35mm equivalent f2 lens and the rangefinder style viewfinder.  I have added the LMX100T thumbrest and the Dispatch Wrist Strap.  This is a fun camera to carry around.  I love that I can play with the optical rangefinder when I want and switch to the EVF with a flip of a switch.  I grew up in the 70's and this feels like a retro camera.  People ask me if it's a film camera all the time, then I show the them the display screen.  

Nikon FE2

This camera might as well be family.  I've had this camera since 1984 and it has been by my side ever since.  I have shot thousands of rolls of film with this camera.  It is easy to use and a tank.  I've backpacked with it, shot in the rain and dropped it, I don't know how many times.  I had it refurbished two years ago and it just keeps plugging along.  On it is the original Nikkor 50mm f1.8 it came with.  I have added the black (not offered any more) leather Tap and Dye wrist strap.  The all manual controls are what I learned on, so the exposure triangle is more instinct now.  The in viewfinder light meter assists you with the exposure and is the only reason this camera needs a battery.  The battery lasts years.  Can you tell I love this camera?  

Lenses

Fuji 18-55 f2-4 R LM OIS

This is a kit lens but not a kit lens.  The quality of this lens is amazing.  The aperture on a variable kit lens is usually in the 3.5 to 5.6 range.  To have f2 available at the wide end is amazing.  The only drawback is that it isn't weather resistant.  I also use this lens for video work with a variable ND filter.  The OIS is effective and reduces camera shake when I do handheld video.  

Fuji 35mm f2 R WR

One of my favorite lenses of all time.  This is a fast focusing, bokeh creating monster.  It's very small, when It arrived I wasn't sure it would do the job.  The lens hood provided seems too little to make a difference but it does.  I was shocked at how fast the focus was.  I've done some street shooting as well as some landscape work with it.  The results are fantastic.  It is the equivalent of a 52mm lens on a full frame camera.  I call it my "Nifty 50".  Click here for one of my shoots using this lens exclusively.

Fuji 56mm f1.2 R

This lens isn't fast but the results are unbelievable.  This is a phenomenal portrait lens.  I use this lens for all of my portrait and model work.  The bokeh is unbelievable.  The way this lens handles light boggles my mind.  I've been able to pull off natural light work with ease.  It also creates an effect, when shooting toward the sun, that I love.  It is a substantial lens in weight and size.  Click here for my quick review.

So that's it.  I know, it's not much of a collection, but for what I shoot, it works.  If the need arises I can rent the lens I need as well as a backup body.  

Other

GoPro Hero and Session

I have both the original Hero and the base model Session.  I have done some time-lapse and some fun family action stuff.  So far I haven't had a professional need for these cameras.  I posted a YouTube video taken with the Session mounted to my car and handheld.  Received a decent amount of hits even though the quality of the video isn't that great.  The camera shake is considerable with these cameras when used with out a gimbal.  

DJI Spark

The Spark is nothing but pure fun.  It is the best drone for the money if you are interested in getting into the drone video business.  Yes it cost's close to $700 to get into it, which is much cheaper than the Mavic which costs close to $1400.  Check out my video here.

What's Next?

My philosophy on gear is different than some.  I don't need the latest and greatest in order to make beautiful images.  I believe lenses are the first thing you should think of when upgrading.  They hold their value and expand what you are capable of shooting more than any other type of gear.  My dream lenses are the Fuji 10-24 f4  for landscape work, Fuji 50-140 f2.8 for so many reasons and types of shoots and the Fuji XF14mm f2.8 for street and potejtially real estate photography.  There is a rumor of a new 8-16 f2.8 which would replace, for me, the 10-24 and the 14mm.  Check out the road map here!  I would also like to upgrade to the XT2 but time will tell, in other words, profits determine purchases.  

Disclaimer:  I am not a full time professional photographer.  I have worked in the photography industry, off and on, for over 20 years.  I do hope to get back to where I was in 2005 but it's been and going to be a long road.  If you want to watch my journey and chime in please follow me on Instagram or YouTube or listen to my podcast!  

Boudoir Shoot With the Amazing Diandra Godiva!

I have been a fan of Diandra Godiva for over a year.  I would describe her as a 50's style or vintage glamour model.  According to Diandra she grew up in Northern California and had an interest in dressing up and taking photos since a young age.  She prefers a vintage esthetic and lifestyle.  She sings Karaoke and performs burlesque for special events. I discovered her on Instagram and hoped some day i'd get the chance to work with her.  This last week I was able to do just that.  

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Fuju XT1, 56mm f1.2 lens, natural light.

I have had nothing but positive experiences working with models and this shoot was no exception.  Diandra was amazing to work with.  Her carefree nature and love for her craft shows in every image.  I like to think I have a relaxed style of shooting.  I want the model as comfortable as possible, knowing that this demeanor fosters a return through the lens.  In other words, you get what you give.  For me this was one of the most fun photo shoots I've done.

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Fuju XT1, 56mm f1.2 lens, natural light.

I love natural light.  There is something to be said for keeping it simple.  I am very comfortable with using off camera flash and have used it for many shoots.  When it comes to Boudoir shoots I prefer the look of natural light.  I shot with the Fuji XT1 and for this shoot I used the Fuji 56mm f1.2 R lens.  Shot mostly wide open, there is a slightly soft nature to these images that works for me.  

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Fuju XT1, 56mm f1.2 lens, natural light.

Diandra takes me back to my youth, watching old Marilyn Monroe films like "Gentlemen Prefer Blondes" and "Some Like It Hot".  I am already working on plans for my next shoot with this amazing model.  I hope you enjoy these images as much as I did creating them.

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Fuju XT1, 56mm f1.2 lens, natural light.

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Fuju XT1, 56mm f1.2 lens, natural light.

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Fuju XT1, 56mm f1.2 lens, natural light.

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Fuju XT1, 56mm f1.2 lens, natural light.

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Fuju XT1, 56mm f1.2 lens, natural light.

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Fuju XT1, 56mm f1.2 lens, natural light.

I had to throw in at least one black and white!

You can find Diandra on Instagram or Tumblr

The Importance of the Photograph

My father passed a month ago and today is his birthday.  I'm letting that sink in.  Death is never easy and for those that have lost a parent it has a certain significance.  The person that has been there your entire life is now gone.  There are things that I am now thinking about that hardly, if ever, crossed my mind.  The biggest being that I am mortal and I too will meet the same fate some day, and the other, related to photography, is the importance of the photograph.

I am camera shy.  This has been a fact most of my life.  I believe it is one of the major reasons I took up photography.  I am never in the picture because I am taking the picture.  As a husband and father of two amazing little boys I have to rethink that strategy.  With my fathers passing I realized just how important images of him were to me.  The above image was taken at his 80th birthday party.  It was a wonderfully happy occasion.  All of his children were present and were able to enjoy this moment.  I was lucky enough to be in the right place at the right time to make this image.  I now have it and will cherish it until I am gone.  It made me think, what do my children have to remember me by?  There are very few images of me.  My wedding and a few random images, my wife made me pose for, are all that I have.  I realized that I want something more for my boys and friends to remember me by.  I want images that reflect me and the things I love, so I now am embarking on a journey to do just that.  I am adding it to my list of personal projects.  

That brings up the question, what do I do with these images after I take them?  I could leave them on a hard drive in the hopes that my family will discover them before they are crushed in the nearest landfill or I could put them in a format that can be passed on for generations.  I am spoiled by the fact that my wife loves to scrapbook.  My goal is to give her printed images every year for inclusion in the books that she creates.  Does this feel a little narcissistic?  Yes!  But it is something that I'm willing to make happen for my family in the hopes that it helps them remember me and the fun that we had.  Don't get me wrong, I'm not going to set up photo shoots with me as the subject.  My goal is to be more present in the images when the moment strikes.  This may mean bothering the nearest passerby, or whomever happens to be in close proximity, to help.  The goal being to be in the images when they happen.  

In my opinion history is being deleted by the terabyte.  Hard drives are being smashed in landfills, with millions upon millions of images on them.  How many images are left on that little card you insert into your camera that never make it to your computer or the images from your phone that disappear because your phone crashed or you replaced it without backing up the images?  So my goal is to start printing my favorite, and best, images.  In addition to the images for the scrapbook, I will also begin creating Annuals.  By Annuals, I mean a collection of my work from the year, including my best images from each shoot to place in a photo book, marked with the year they were created and background info regarding the shoot.  I'll go into more depth in a future post., but you get the idea.  So when a situation arises, family is gathered, a significant event or just something that warms your heart happens, make the image happen and get in there, your family and friends will be glad you did.  

My Dad, 1944 or 45?  We believe my Grandmother took the image of him in Arizona, Spring Training, Chicago Cubs.  A memory for forever if we make it happen!

What's My Genre and Where Do I Fit In?

I've been a photographer for a very long time and I find it hard to find one type of photography to focus on.  Some people say in order to be successful as a photographer you need focus.  Do one type of photography and be the best at that.  Put that out to the world with a consistent style and you will make a name for yourself.  I get that, consistency is king.  When you look at an Instagram account that has more than 10k followers chances are good that the images presented have a theme.  The majority of successful photographers are known for what they shoot.  When you hear the name Pete Souza you think Obama, Anne Geddes you think babies, Ansel Adams, Yosemite and the list goes on and on. My question is, is that a requirement for success?  

I love landscapes.  I've been an outdoorsy type person from a very young age.  I've been drawn to Yosemite and the rest of the sierras all of my life.  I've lived in Mammoth Lakes and Lake Tahoe.  I also believe I have made some beautiful landscape images over the years.

Yosemite Valley shot from the tunnel view parking area.  This obligatory location for every Yosemite photographer.

Bodega Bay California.  This is a spot called Bodega Head and is one of my favorite sunset locations.

Found these trees along the Merced River in the Yosemite Valley.  

But there are other things I love to photograph as well, portrait photography being one.  There is a magic in the capture of someones essence.  A photograph of  a person is something, if done right, that can be treasured by future generations.  I believe it can be the best way to remember someone as the years and generations roll on.  I cherish the images that I have made of my two sons.  I have challenged myself to capture their true being, not just for me, but for them and their children and so on.  

I have also been able to create candid portraits that will be passed on for generations.

My fathers 80th birthday.

I have also tried my hand at model photography.  At first this was just a project to push the limits of my photographic abilities.  I wanted to practice my off camera flash skills as well as interacting with a subject in a different way.  I had never paid someone to be my subject but I have no regrets after seeing the results.  

In addition to the above I also love travel photography.  It is a dream to, some day, be able to travel the globe, gear in tow, and capture the essence of the places that I explore.  My latest adventure was to Vancouver BC.

So you tell me.  Where do I fit in?  Where should I focus my attention?  I love photography as a whole and can't imagine limiting myself to one genre.  I enjoy the constant challenges that different locations present.  I enjoy not knowing where my next adventure might come from.  I love working with people and capturing their being, their essence, their love for life.  I also love the outdoors and mountains and natures beauty.  So I'm torn.  For the time being I will continue on my path, shooting what arrives in front of my lens and hoping that I find a tribe or audience that appreciates me for what I am, a true lover of photography in all of its' forms.  

Respect!

Respect is a funny thing.  In my opinion, there are two types of people, those that you have to earn their respect and those that give respect that you can lose by your actions or inactions. I fall into the latter.  I assume that peoples intentions are inherently good.  I believe that most people are good hearted and aren't out to cause harm.  Lately i've been noticing this paradigm in the photography community.  

Over the last year I have seen articles, YouTube videos, Facebook posts and more discussing how a certain type of person isn't really a photographer because they use x, y or z type of equipment.  How iPhone photographers aren't really photographers or if you've never shot film you can't possibly be a professional.  Photographers going after other photographers because of some perceived lack of skill or knowledge.  And don't get me started on the whole over use of the "everyone is a photographer" line.  If I hear it again i'm going to scream.  There is even an angry photographer YouTube channel.  Sorry but I just don't get it.  What's to be so angry about?  I know there is a segment of the photography industry that feels that the profession is being somehow diluted, that the more people offering photography services at a poorer quality will somehow ruin photography as a profession.  I get that it's hard to watch someone with weeks or months of experience charging for their photography when you spent years getting your art degree and worked as an apprentice or second shooter for years before you branched out on your own.  I get that.  What I don't get is that they are considered your competition.  If your photography is top notch and you carry yourself in a professional manner and you have years of experience to help you shine, why would you be threatened by someone just starting out?  

I look at it this way.  If someone loves photography and they are able to charge for it, then more power to them.  I'll even give them my two cents if they ask.  I'll share some of my experiences and help to encourage them to succeed.  What I won't do is try to break them down.  The world does enough of that.  I am also a realist.  It has gotten harder to make a full time living as a photographer.  People no longer print images.  Most photography services include digital images as part of the basic shoot cost.  The days of charging for individual prints is dead.  People expect digital files and they are shocked when they are more expensive than what they would spend on a cup of coffee.  News outlets and businesses are no longer using in-house photographers.  Images are being submitted to media outlets by the thousands by so called ireporters.  The fee being only recognition.  It is a changing world.

Because it is a changing world we need to adapt and overcome.  We need to expand our skill sets into digital media.  We need to understand the new environment and use it to our benefit.  People are succeeding by creating multiple outlets for their images.  From social media to Podcasts and YouTube channels.  It's adapt or die time for photographers.  I believe with hard work and perseverance you can succeed and that you are the only thing that is getting in the way.  Don't listen to the little voices in your head or the people that are waiting to rip your images to pieces.  Work on your craft and keep looking until you find your tribe.  Demand respect and ignore and excise those that don't, they win when you engage! 

Finding My Muse

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Yosemite Valley, clearing storm from the tunnel view parking area.

Dry spells happen.  Sometimes you lack creative energy.  You pick up your camera but can't find something inspiring to shoot and when you do, the images seem dull or repetitive.  We've all been there.  I've been there.  So what to do about it?  Find your Muse and keep shooting.  

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Bank of the Merced River, Yosemite Valley, 2016.

What is a Muse you ask?  The literal definition from the interweb is ... "a woman or a force personified as a woman, who is the source of inspiration for a creative artist." It is also synonymous with inspiration or creative influence.  For me it is anything that makes my heart smile.  That includes my family, the landscapes of Yosemite and lately the female form.  Your muse doesn't have to be a person.  It can be anything you love.  The idea is that when you love something it translates to your images.  You see these things differently than others.  Alfred Stieglitz had Georgia O'Keeffe, Edward Weston had Charis Wilson.  Ansel Adams had Yosemite (In my opinion.).  

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@devithemodel on Instagram.  My favorite shoot to date.  Looking forward to working with her again.  

I believe it is as simple as looking inward.  Search your heart and find that thing or person that inspires you.  When you find this, shoot the hell out of it.  Shoot in different locations, with different lighting, natural, off camera, on camera.  Shoot it in a context that sings for you.  Explore the possibilities, they are endless.

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Marie Jean from modelmayhem.com  Another amazing shoot on the Sonoma County Coastline.

The key to these types of images is how well you know your muse.  If it's an item, now does it react to light?  How does it move and what can you do with it.  How does it look from different perspectives of distance or elevation?  If it's a person, what pose works best, where are they most comfortable?  What makes them sad, happy, laugh etc.  Explore every angle, every curve, every nuance of how they look in different light.  Once again the possibilities are endless.

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My Son, shot with the Fuji XT1, 56mm f1.2 lens.  

So pick up that camera and make some images.  I believe if you make images of the things you love then you will love your images!  

56mm f1.2 FujiFilm Lens Review

I'll start this review by stating that I don't know much about technical specifications.  You can read all that on the Fuji website.  What I do know is how to manipulate this lens to make, what I hope you think, are beautiful images.  I have been in the photography industry for close to 15 years and have been making images since the mid 70's.  After shooting film for many years I made the switch to digital in 2005.  Late last year I switched from all Nikon gear to Fuji and am so glad I made that change.

When I purchased my Fuji XT-1 there was a used 56mm f1.2 (Non APD) available.  The full price for this lens is $999 US but available, at the time of this post, for $799 from B&H.  I love portraiture and the price was right so I went for it.  I haven't regretted that decision, not for a minute.  I use this, almost exclusively, for portraits.  Over the years I have experimented with portraiture but never was very serious about it.  I'd taken the typical, standard, family images, but never felt excited by this type of photography.  That has changed.  Earlier this year I started working with two different models, Devi and Marie Jean.  What's nice is that I get to direct the process.  I choose the clothing, poses, surroundings and the lighting.  The only person I have to blame for poor images is myself.   The pressure is off when you don't have to please a client, catering to their needs and style constraints.  Don't get me wrong, I like to get paid for my work but it is nice to freely shoot whatever your heart desires.  

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Marie Jean of modelmayhem.com

This lens is very basic compared to other Fuji lenses.  No WR (Weather Resistance) and no OIS (Optical Image Stabilization).  There is an aperture ring and a focus ring.  No window showing focul distance and no switches for other features.  56mm on a crop sensor is the same as an 84mm in full frame equivalent.  Fuji also sells a 50mm to 140mm zoom at f2.8 but I prefer the 1.2 aperture on the 56.  Playing with light is the goal of a photographer and the more f stops you have the more you get to play.    

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Marie Jean of modelmayhem.com

In the studio, paired with a speedlight in a softbox, I was able to obtain clean, clear images with nice color.  I am used to using manual focus and having the focus peaking feature is a major perk of the Fuji system.  For the image below this came in very handy, having to focus past the sheer fabric.

Marie Jean of modelmayhem.com

On a recent boudoir shoot this lens performed perfectly.  There was limited light but I felt the use of a flash would change the feel of the images.  I love working with natural light and the fast aperture allowed just that.

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Devi

The room I was working in was small but I still had the room I needed to obtain the images I was looking for.  I do have to admit that the images from this lens are a little soft, but not so much so to be distracting.  I believe it adds to the images overall look and feel and is what makes this lens so special.  It also means that I don't have to spend a ton of time editing out imperfections.  

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Devi

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Devi

All of these images were edited in Lightroom with slight saturation, exposure, sharpness and contrast adjustments.  There was also some spot removal here and there.  These were also edited from the RAF or raw files.  

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Devi

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I usually hate images of myself.  I was actually able to capture this image, holding my iPad in my hand to activate the shutter and I actually like it.  

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What I know for sure is that I have just begun to discover what this lens is capable of.  Portraiture has become a new favorite genre for me and I believe it is because of this amazing lens.  I have been pushing the limits of my photography and am looking forward to seeing what I can achieve in the near future.  

Model Shoot With the Fuji Film 35mm f2 R WR

Since purchasing the FujiFilm 35mm f2 i've wanted to put it through its' paces during a model shoot.  The effective field of view being 53mm on a full frame camera, I thought this would be appropriate.  I know this isn't an ideal portrait lens and that there are many other lenses by FujiFilm that would be more appropriate.  In addition to this lens I also own the 56mm 1.2 and love it for portraiture, but for this shoot I was looking for a wider field of view.  

Here in Northern California we are blessed with some of the most beautiful stretches of coastline that exist on this amazing planet.  I've always wanted to do an implied nude/nude photoshoot at one of the local beaches but the stars hadn't aligned until recently.  I have been working with an amazing local model that I found on modelmayhem.com .  Marie Jean is great to work with and I love the results we are able to obtain together.  After a short conversation she suggested the location and we set up the shoot.  My hope was to include the sunset but the weather gods weren't on our side.  The fog rolled in and wasn't going to lift.  We decided to go ahead with the shoot regardless.  I actually prefer to shoot in flat light or overcast skies.  You don't have to worry about harsh shadows or trying to balance the light on the model with the light of the sun.  

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

I'm a run and gun photographer.  When I shoot outdoors I don't like to lug around a ton of equipment.  I love natural light and believe that you don't always need a flash to make a great image.  Don't get me wrong, I love working with off camera flash and have done so often.  I usually reserve flash photography for my indoor work or when the light is just too harsh to balance with reflectors.  For this shoot I was lucky that all I needed was my Fuji XT1 and the 35mm f2 lens.  

The focus speed is fantastic with this lens.  There were a few times where I switched to manual focus and used the focus peaking feature.  For this shoot background blur or "bokeh" wasn't as important to me.  Most of the shots have distant backgrounds and this lens handled them beautifully.  

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

Lately i've been exploring shooting implied nudes.  I have set out to push the boundaries of my photographic abilities and experiences.  I believe that you will never improve your craft unless you get outside of your comfort zone.  I was lucky enough to be working with an amazing young lady that put me at ease and was generous with her experience, suggesting spots and poses throughout the shoot.  

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens

I've gotten to the point where I no longer have to worry about my equipment or settings.  I shot film for close to 25 years with a manual focus camera.  Settings come naturally to me.  The Fuji system is as close as I can get to using an old school film camera and is much like my old Nikon FE2.  The 35mm f2 lens is unbelievably compact and a joy to use.  The only draw back that I could possibly mention is that the provided lens hood is practically useless.  I can't imagine it makes much difference at all when attached.  There are aftermarket hoods available, but so far I haven't needed to use one.  This camera lens combination made this shoot effortless and fun.  I wouldn't hesitate to use it again in the future. 

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens.  Converted to B&W in Lightroom.

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Marie Jean, Northern California coast.  Fuji XT1, 35mm f2 R WR Lens.

There are additional images that include nudes and semi nudes.  I have placed them in a separate post which you can access HERE.  Marie Jean can be found on modelmayhem.com and on Instagram.  I look forward to working with her again in the near future.  

2016 Mid Year Review, All In With Fuji

So this is my first full year shooting exclusively with Fuji Gear.  That gear includes the Fuji X100T, XT1, 18-55 zoom, 56mm f1.2 and the 35mm f2.  I have always gravitated toward landscapes.  I love the outdoors and am lucky enough to live in California, a place that contains such varied landscapes within a short distance.  One of those places is Yosemite National Park, it has always been my favorite landscape location for obvious reasons.

Fuji XT1, 18-55 f2.8-4.  Clearing clouds, Yosemite Valley from the tunnel view rest stop.

People warned me that I might not like the Fuji gear for landscapes.  That I might not be able to duplicate the results that I was used to with my Nikon gear.  

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Fuji XT1, 18-55 f2.8-4.  El Capitan taken from the tunnel view rest stop, Yosemite National Park.

To the contrary I believe it has enhanced my landscape photography.  Fuji is able to capture color and detail in a way that my Nikon never could.  The optics of Fuji's basic "kit" lens (18-55mm 2.8-4) far surpasses the glass that I had on my Nikon, the 18-70mm f3.5-4.5.  My ultimate landscape lens would be the 8-16mm f2.8 if and when it is made available.  Until then, I am perfectly happy with my Fuji "kit" lens.  

Over the last six months I have also enjoyed shooting portraits more than I had in the past.  The Fuji 56mm f1.2 is an amazing lens.  I love the depth of field that this lens allows.  

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Fuji XT1, 56mm f1.2.  

This lens has expanded my portrait capabilities in ways I cannot even begin to describe.  The images made with this lens have a unique look to them.  It has a soft quality but you are able to pull amazing detail from a subjects eyes.  

I have also started to explore fine art portraiture.  Using the 56mm f1.2 combined with off camera flash using the Yungnuo 560 TX paired with the 560 IV Speedlight I have been able to create some amazing images.

Fuji XT1, 56mm f1.2 paired with Yungnuo 560TX and 560 IV Speedlight.

I'm not sureif it is the camera system or my newfound excitement for photography that has pushed me to step outside of my comfort zone.  The Fuji system is just plain fun for me.  It is light weight and the controls on their cameras are intuitive.  I have shot with a Nikon FE2 for close to 30 years and the Fuji system is the closest I have been able to come to that experience in the digital realm.  

Through this equipment I have rediscovered my love for photography.  I am pushing myself to shoot more.  I am drawn to new photographic experiences and adventures.  

Fuji XT1, 18-55mm f2.8-4.  Marin Headlands, Overlooking the Golden Gate.  San Francisco, CA

Fuji XT1, 18-55mm f2.8-4.  Bodega Head, Sonoma Coast.  First Sunset of Summer 2016.

Who knows where the rest of the year will take me but I know that it will be fun.  Pushing boundaries is the theme for 2016 and thanks to Fuji It is easier and more fun than ever.

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Fuji XT1, 56mm f1.2 paired with the Yungnuo 560TX and 560 IV Speedlight.  

Chasing the Sun

On the first day of summer I decided, late in the day, that I would attempt to chase the sun in order to get some sunset images.  Not wanting to leave my Wife fending for herself with two boys 4 and 6, I decided to stay and help with the evening tasks.  Sunset being at 8:39pm I had a tight window of opportunity.  The location I chose was Bodega Head on the Sonoma Coast here in California.  Located approximately 45 minutes from my house, it would be a challenge.  I left the house at 7:10 and arrived at the coast a little after 8pm.  A short hike and I found my spot.  The light was wonderful.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

I always take some time to look around for spontaneous images.  The light on the coastline was fantastic.  

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

I had to wait for the light to be just right for the sunset images.  When the sun finally set the show began.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

After that I just went with it and just kept hitting the shutter release.  The images jumped out at me one by one.  The light getting better and better as time went on.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

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Sonoma, California Coast.  Bodega Head on 6-20-16, first day of summer.

As i've said in the past, I love spur of the moment photo adventures.  I don't like to over plan a shoot like this.  I had brought my tripod but when I arrived the wind was howling at 30 mph.  I wasn't going to be able to switch lenses so I took the only zoom I had, the 18-55.  Curious what the 16-55 2.8 would have been able to do but that's $1000 away, maybe next year.  I'm incredibly happy with the images I made and i'm looking forward to the next adventure.

Chasing a Clearing Storm

It rained, here in Sonoma County, yesterday.  Having some free time I decided that I wanted to run down to the Golden Gate Bridge and make some images of the clearing storm.  I took my Fuji XT1, a few lenses, my GoPro "Hero" and a tripod.  This being a spur of the moment decision, the ability for planning was limited.  I did check the Golden Gate Bridge webcam to see if conditions might be favorable for some images.  There was heavy cloud cover but it wasn't raining and the weatherman said that it would clear up by the early afternoon.  So I jumped in my car and headed South.  Hitting some traffic on my way.  I made it to the Marin Headlands in about an hour and a half.  The clouds were clearing nicely but the fog was my biggest concern.  The Headlands are the hills just North of the Golden Gate and afford some of the most beautiful views of this amazing structure.  I usually avoid shooting here in the middle of the day, even when conditions are perfect, due to the huge number of tourists in the area.  The fog was very erratic, at times blocking the view of the bridge completely.  I got lucky and was able to make a few images.

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South Tower of the Golden Gate Bridge, taken from the Marin Headlands. June, 2016

I set up my tripod to hold my GoPro "Hero" and started the timelapse mode.  As I set it up the fog cleared and I saw this shot below.

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View of San Francisco looking through the Golden Gate Bridge, taken from the Marin Headlands.  June, 2016

One of the challenges of being a photographer and standing in a location such as this is that you are asked to take image after image of tourists.  I don't mind this at all, but it tends to get in the way of my purpose, which is to create images.  It got to the point where people were crowding me and my tripod so I had to abandon ship.  Before I left I was able to make this timelapse.

Storm was clearing so I made my way to the Marin Headlands. Battled the tourists for a parking spot and set up my GoPro "Hero".

As I was getting ready to pack up I looked down and noticed a lock attached to the cable of the fence at the viewpoint.  The lock had a heart engraved on its' face.  It gave me an idea for a couple of images.

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Lock attached to fence cable, located at a viewpoint above the Golden Gate Bridge, Marin Headlands, June 2016

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Lock attached to fence cable, located at a viewpoint above the Golden Gate Bridge, Marin Headlands, June 2016

I love photography adventures.  I have found that I do my best work on spur of the moment trips.  Lately these adventures have been inspired by weather events.  I love the look of the sky as the clouds start to clear.  A clear blue sky can be a beautiful background but I tend to prefer a little something going on in the way of clouds.  

Dreaming of the next storm.......

Does Your Craft Have G.A.S.?

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Some of you are wondering what "G.A.S." is.  Otherwise known as Gear Acquisition Syndrome.  The photography centric media bombards us with an up to the second deluge of software and hardware you just can't live without.  For the last 10, or so, years the camera industry has been on an upgrade frenzy.  Bigger megapixel counts, high ISO, video, wifi and the latest lenses are upgraded at a phenomenal pace.  Rumor sites feed on the quest for information regarding every large camera retailers next upgrade.  Just type in (your camera brand here)rumors.com and the speculation begins.  We are led to believe that our photography will improve drastically with the purchase of whatever piece of the newest glass/plastic/metal or software that is arriving tomorrow.  

Ok I have to admit that I love gear.  Picking up something new and figuring out what it's capable of is one of my favorite things.  I am constantly looking for gear that can help me with whatever project I dreamt of the day before.  I search online for reviews and am definitely curious what the rumor sites have to say.  What I have to do, to balance that, is to look at where I am with my craft.  

The craft of photography is often overlooked.  I've been working with cameras since the mid 70's and have processed b&w film and color film, printed using enlargers and chemistry as well as witnessed the explosion of digital.  I was lucky enough to have been working with a company that transitioned from film to digital so was able to see that unfold and the challenges that it posed.  Over the last 40 years I have spent time learning about those that came before us, Ansel Adams, Stieglitz, Lange, Bresson and more.  I have spent time learning new techniques and practicing with my gear.  You bought a camera that would last you 20 years and it became a companion that you knew inside and out.  Four settings, ISO, Shutter Speed, Aperture and Exposure Compensation were all you had to work with.  Not a menu to be seen.  Sure there were lenses and flash accessories and other add ons, but they weren't updated every six months.  Film was film and it hasn't changed drastically from the 70's to today.  What this meant was that you could spend more time getting to know your gear and more time shooting instead of trying to get up to speed on the latest tech.  Yes it was expensive but that also meant that you made every shot count.  

After reading the above you probably think that I am anti digital.  This couldn't be further from the truth.  Digital has freed me up to  take as many images as I like without financial consequences.  It allows me the luxury of repairing images I would have tossed in the past.  My skills have grown exponentially since digital arrived. I do, however, believe we should slow down and work with the gear we have.  Transition to new gear when, and only when, it cannot achieve a result you just can't live without.  Know the ins and outs of the exposure triangle, the rule of thirds, leading lines and for god sake play with light.  Light is amazing and can do amazing things for your photography.  It won't be easy and you will fail miserably at times, I know I have.  But keep plugging away.  You will love photography even more than you do now.  

So over the next several months I will be focusing on my skills with my current gear.  I will work on expanding my imagination where images are concerned.  I will play with light and subject in ways that I haven't in the past.  I will push my gear to the limits and see what I am capable of.  I will keep learning and growing and sharing what I create with the world.  I will work on my craft and hopefully in the process become an even better photographer/artist/human being because of it.

Model Mayhem Has Been Good To Me!

I broke down and paid for a model and I couldn't be happier with the results.  Don't get me wrong, i've been lucky to have worked with some amazing models over the last couple of years.  There is something about the change in dynamic when it's a paid shoot.

 I worried less about how much time I was taking and took the opportunity to work different angles and lighting positions.  I'm fairly new to off camera flash and wanted to spend some time playing with the light that a one light setup provided.  I was shooting with a Fuji XT1, a 56mm 1.2 lens and a Yungnuo 560 Mark III Speelight and the Yungnuo 560TX radio transmitter mounted atop the camera.  The flash was used in conjunction with a small, square, softbox.  

I worked with an amazing model from modelmayhem.com Marie Jean .  She arrived on time and ready to work and I believe we achieved some beautiful results.  

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I'm a fly by the seat of your pants kind of photographer.  I try not to have too much of a preconcieved notion of what i'm going to achieve.  I have a general ideal but I am flexible with where that takes me.  I wait to see how the model works with me and the situation and try to capture what happens without too much direction.  

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Most of my photography has centered around landscapes, still life and the occasional portrait.  Lately I have been excited by what I have been able to accomplish with portraits using both natural and off camera flash.  Light can be tough to master.  It's always changing and can either help or hurt you depending on how you use it.  The goal is to remember what worked and add that to your tool kit.  

For this shoot I had an idea that I had never tried and had no idea how it would turn out.  I've traveled some in Italy and Greece and have always been taken with how widows show their respects to their partners when they are gone.  In Greece there is a tradition that a widow dresses in black for the rest of their life.  I wanted to add some beauty to this idea in the form of the subject and some flowers.  The idea was great, but carrying it out took patience for me and the model.  Marie was fantastic and worked with me until I got the results I wanted.

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The hardest part of the above image was getting the focus right.  I am still learning the capabilities of my Fuji XT1.  The light was very low in the studio and it was impossible to see well enough to use manual focus.  I set the focus to area mode and was able to capture this shot.  I couldn't be happier with this image.  I actually used the out of camera jpegs and worked them a little in LIghtroom.  

It was a pleasure working with Marie and I hope we get to collaborate again in the near future.  Here are a couple more images from this shoot.

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Copyright Wineberg Images 2016